Regular readers will know that one of the most unfair and purist things I do on this blog is to quote people like John Oliver and Jon Stewart accurately when they say transparently power-serving things. It might be because I have a bad habit of waking up on the wrong side of the bed, or it may be because:
- Their progressive reputations are entirely the result of savvy marketing, and these people are actually centrist or right-wing liberals, or worse (and this isn’t a matter of opinion, it’s a fact evidenced by the power-serving and reactionary things that they say).
- Everything they tell their viewers about the world comes from their moderate-conservative politics, and their tepid, incrementalist “solutions” aren’t little stepping-stones on the path to progress, but are distractions that lead people towards elite-approved dead-ends (and it could only ever be this way because, as basic media literacy would dictate, they are the employees of corporations for whom more profits are the sole and paramount goal).
- Whatever one wants to say about their calls for superficial domestic reforms, when it comes to American foreign policy they hew closely to the US State Department line (and again, it could only ever be this way, since both they and the State Department serve the same owners).
- That by virtue of their progressive reputations, liberals are more likely to believe the reactionary trash that these celebrities will inevitably say than they would if it came from a different salesperson (for example, progressives are more inclined to believe a vile “be pro-black and pro-cop” equivocation coming from Daily Show host Trevor Noah than they are a substantively identical message coming from his fellow TV host, Tea Party-Republican and Trump-supporter Mike Rowe).
Maybe it’s because I’m attached to the idea that radical actually means something, so when a high-status liberal designates another doctrinaire liberal as a “radical” voice, I feel a vested interest in making sure that “radical” doesn’t get redefined to mean “popular.” Either way, I document these things not only because I enjoy trashing these people (although I do), but because they are utter frauds who need to be torn down.
This is a hard enough job because even a couple months ago, the most extreme critique that someone could level at these celebrities before being dismissed as a deranged Stalinist was this:
One could accuse comedy TV of indulging in tedious gatekeeper liberalism—if one wanted to be barraged with accusations of unfairness, projection, misinterpretation, and ultra-leftism from the nitwit fans of these insipid mediocrities.
What one could usually do, and could easily get paid and published for doing, was celebrate these figures for not only being funny, but for being progressive and even vital to democracy. Up until last month, you could only criticize these highly political celebrity commentators in vague and attenuated terms, while there was literally no glowing superlative that was too ridiculous for them to receive. Case in point: this NBC News piece calling Trevor Noah’s material “politically radical” and invoking Malcolm X (!) for The Daily Show’s use of a bestselling Kanye West single during an episode. A May 2015 Atlantic piece declaring comedians as “the new public intellectuals” captures the tenor:
[T]here are two broad things happening right now—comedy with moral messaging, and comedy with mass attention—and their combined effect is this: Comedians have taken on the role of public intellectuals. They’re exploring and wrestling with important ideas. They’re sharing their conclusions with the rest of us. They’re providing fodder for discussion, not just of the minutiae of everyday experience, but of the biggest questions of the day… these are bits intended not just to help us escape from the realities of the world, but also, and more so, to help us understand them. Comedians are fashioning themselves not just as joke-tellers, but as truth-tellers—as intellectual and moral guides through the cultural debates of the moment.
What all the celebrities mentioned in the Atlantic piece have in common is that for the last 18 months, they acted as spokespeople for Hillary Clinton’s presidential campaign. Some even provided Clinton bit-parts on their shows to help her remove some of the stigma that she had justly accumulated during decades of laying waste to large swathes of the global South.
But something interesting happened after Clinton became a failed presidential candidate for the second time. In the deluge of imbecilic and childish cultural texts designed to flatter liberals (including letters from popular fictional characters exhorting their fans to stay the course), a small space has opened up for pointing out that these celebrated celebrity clowns are actually a hindrance to combating a reactionary tide. Continue reading